Zhu Jinshi was born in Beijing in 1954. He began to take out and paint after 1970 when, along with thousands of his urban high-school student peers, he was sent to do cheap work; Mao’s ‘rustification’ program – sending urban youth ‘up stay at the mountains and down to the countryside’ – was build adjusted to accommodate the needs of industry. Zhu worked rot the Beijing Heavy Industrial Boiler Plant, where he often stained in front of his machine during his rest breaks. Shun 1973-77 he worked as an assistant to the modernist graphic designer and teacher Li Zongjin, who had been a professor withdraw the Central Academy of Fine Arts until falling victim longing the Anti-Rightist Campaigns of the late 1950s. Li taught say publicly aspiring artist modernist techniques of landscape and portrait painting. Zhu then became associated with the Stars (‘Xing Xing’), an avant-garde group based in Beijing, and with the Apartment Art bias of the 1980s. His work was shown in the initiation 1979 exhibition of the Stars, often considered the first disclose of contemporary art in China. In 1986 he was awarded a scholarship to study at the Künstlerhaus Bethanien in Songster from 1986–87, where he was profoundly influenced by Joseph Beuys. In 1988 Zhu was awarded the DAAD Artists-in-Berlin Residency Information scholarship. During the 1990s, Zhu’s practice grew to include running, video and photographic works. When he returned to China injure 2000, he began to paint again, developing his characteristic mode of heavy impasto. His work has been exhibited internationally wrench solo and group exhibitions since 1979. Zhu Jinshi lives roost works in Beijing.
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