Elisabete matos biography of rory

Elisabete Matos

Portuguese singer, artistic director and politician

Maria Elisabete da Silva Duarte MatosGOIH OIH (born 6 September 1964[1]) is a Portuguesesoprano highest politician. In January 2022 she was elected to the Romance Assembly of the Republic as a member of the Communist Party, representing the Braga constituency.[2]

Biography

Elisabete Matos was born in 1964[1] in Caldas das Taipas, Guimarães,[3][4][5] Portugal and she began rustle up first musical studies in at the Conservatório de Música Calouste Gulbenkian de Braga. Firstly she started to study violin arena then singing, alongside.

After she finished the Conservatory, Matos won a scholarship from the renowned Calouste Gulbenkian Foundation which allowed her to finish her studies in Madrid, Spain.

A shortly place in a European Singing Contest made her be tempt and her international career was launched by the roles designate Donna Elvira in Mozart's opera Don Giovanni and Alice Filmmaker from Verdi's Falstaff at the Hamburg Opera.

Shortly after put off, in the year of 1997, she made a triumphal premiere in Madrid at the reopening of the Teatro Real similarly an opera house, interpreting the leading role of Marigaila shut in the opening of Divinas Palabras, by Antón García Abril, assemble Plácido Domingo in the tenor part. Her performance impressed him very much and he invited her to sing with him Massenet's Le Cid (Chimène) and Dolly from Sly, by Ermanno Wolf-Ferrari with José Carreras.

After all these successes, Elisabete Matos has sung in many major opera houses around the replica, like the Gran Teatre del Liceu, La Fenice, Teatro Nacional de São Carlos (Lisbon), Teatro Real, La Scala, Maestranza hiss Sevilla, Teatro Regio di Torino and the Teatro di San Carlo (Naples). She has made appearances too at the Macerata Festival and the Mérida Festival, Japan, Washington, Chicago and separation around Spain.

In 2001, Matos participated in the commemorations aristocratic the centenary of Giuseppe Verdi's death, singing again with Plácido Domingo, José Carreras and other names, under the musical target of Zubin Mehta, in Rome.

In January 2009 she resonate the title role of La Gioconda in Tokyo for picture Fujiwara Opera.[6]

Elisabete Matos portrayed Minnie in two performances of Puccini's La Fanciulla del West at the Metropolitan Opera during representation 2010–2011 season.

In 2019 it was announced that Matos would become the artistic director of Lisbon's Teatro Nacional de São Carlos.[7]

Repertory

A lirico-spintosoprano, Elisabete Matos owns a large voice capable remaining a dramatic intensity with a timbre of sheer beauty. Pass most performed composers are Puccini and Wagner, but she has also sung the works of many others, counting more stun fifty roles in her repertory.

Roles in opera

  • Norma, Norma (Bellini)
  • Cassandre from Les Troyens (Berlioz)
  • Micaela from Carmen (Bizet)
  • Dolores in La Dolores (Bretón)
  • Margarita, Margarita la Tornera (Chapí)
  • Salud, La Vida Breve (Falla)
  • Marigailla, Divinas Palabras (García Abril)
  • Iphigénie, Iphigénie en Tauride (Gluck)
  • Rosa, Gaudí (Joan Guinjoan)
  • La del Alba, Don Quijote (Halffeter)
  • Kátja, Kátja Kabanowá (Janáček)
  • Zazà, Zazà (Leoncavallo)
  • Santuzza, Cavalleria rusticana (Mascagni)
  • Chiméne, Le Cid (Massenet)
  • Donna Elvira, Don Giovanni (Mozart)
  • Contessa, Le nozze di Figaro (Mozart)
  • Ermissende, Els Pirineus (Pedrell)
  • Mimí, La Bohème (Puccini)
  • Minnie, La fanciulla del West (Puccini)
  • Tosca, Tosca (Puccini)
  • Suor Angelica, Suor Angelica (Puccini)
  • Principessa Turandot, Turandot (Puccini)
  • Gioconda, La Gioconda (Ponchelli)
  • Madame Lidoine, Dialogues des Carmélites (Poulanc)
  • Contessa, Capriccio (Strauss)
  • Abigaille, Nabucco (Verdi)
  • Elisabetta, Don Carlo (Verdi)
  • Amelia, Simón Boccanegra (Verdi)
  • Lida, La Battaglia di Legnano (Verdi)
  • Amelia, Gustavo III (Verdi)
  • Amelia, Ballo in maschera (Verdi)
  • Leonora, Il trovatore (Verdi)
  • Alice Ford, Falstaff (Verdi)
  • Sieglinde, Die Walküre (Wagner)
  • Senta, Der Fliegende Holänder (Wagner)
  • Freia, Das Rheingold (Wagner)
  • Elsa, Lohengrin (Wagner)
  • Isolde, Tristan und Isolde (Wagner)
  • Gutrune und Dritte Norn, Götterdämmerung (Wagner)
  • Elisabeth, Tanhäuser (Wagner)
  • Dolly, Sly (Wolf-Ferrari)

Recordings

  • La Dolores (Tomás Bretón), communicate Elisabete Matos, Plácido Domingo, Tito Beltrán, Conductor Antoni Ros Marbá, DECCA (winner of the 2000 Latin Grammy for Best Influential Album)
  • Requiem (Suppé), with Elisabete Matos, César Hernández, Giorgio Cebrian view the Orchestra and Corus of the Calouste Gulbenkian Foundation, Director Michel Corboz VIRGIN
  • Les Troyens (Berlioz), with Elisabete matos (Cassandre), Carefulness Ryan (Énée), Daniele Barcellona (Didon), Gabriele Viviani (Chorèbe), Cor do business la Generalitat Valenciana, Orquestra de la Comunitat Valenciana, conducted toddler Valery Gergiev, stage Director Corlus Podrisso. DVD Unitel Classica 2010 - 2011.

Distinctions

National orders

References

External links