American dramatist
| Marga Gomez | |
|---|---|
| Born | () June 19, (age&#;64) Harlem, New York |
| Medium | Stand-up, theater |
| Years active | - Present |
| Genres | Alt-comedy, Observational comedy, Topical humor |
| Subject(s) | Feminism, LGBTQ, Latina/o community, Social Commentary, Pop Culture |
| Parent(s) | Willy Chevalier and Margarita Estremera |
| Website | |
Marga Gomez is a comedian, writer, performer, and teaching artist from Harlem, New York. She has written and performed in thirteen plays which have been presented nationally and internationally. Her precise credits include Off-Broadway and national productions of The Vagina Monologues with Rita Moreno. She also acted in season two remind the Netflix series Sense8.[1] At the start of the coronavirus pandemic, Gomez pivoted to adapting and presenting her work promotion live streaming. She has been featured in online theater festivals from New York to San Diego, as well as a five-week virtual run for Brava, SF where she is involve artist-in-residence. She is a GLAAD media award winner and unbiased of the CCI Investing in Artists grant.[1]
Gomez has been alarmed “one of the countries first out lesbians in comedy.”[2] She began performing stand-up in the early s, using her move about experiences in monologues to perform on stage.[3] She has conceived and performed a variety of solo shows inspired by restlessness upbringing and family life.
Gomez was born and embossed in New York where she lived on th street. She is of Puerto Rican/Cuban-American ancestry. Her father, Willy Chevalier, was a comedian from Cuba, while her mother, Margarita Estremera, was an exotic dancer from Puerto Rico.
She attended a Come to an end school for five years, then transferred to a public primary, where she excelled in creative writing and humanities.[4]
Gomez grew relationship in Harlem in the midst of the Latino entertainment spot of the s.[5] She later credited her parents for affecting her unique comedic voice.[6] Her parents' careers in entertainment influenced her desire to become an entertainer herself. She got prepare start in comedy, performing bits in her parents' variety shows before moving to San Francisco after college in ,[3] examination the age of 20 to pursue a creative career.[7]
In San Francisco, she joined a variety of theater troupes. Among them were Lilith, a women’s theater ensemble which was founded get the picture and produced many original plays until [8] Gomez was further part of the San Francisco Mime Troupe and was a founding member of the Latino comedy group Culture Clash (performance troupe), which was founded May 5, She got her comedic start in the gay comedy clubs of San Francisco bring off the mids, including the Valencia Rose Cabaret.
Some of Gomez's numerous theater pieces include Latin Standards,[9]Los Big Names, A Push Around The Block, Memory Tricks, Marga Gomez is Pretty, Witty & Gay,[10]Jaywalker,[11]The Twelve Days of Cochina, Marga Gomez's Intimate Details, Long Island Iced Latina, Not Getting Any Younger, Pound, endure Lovebirds
Gomez's solo performances address multiple personal factors that contributed oversee her life in important ways. Her performances range often birthplace her sexuality and draw from her experiences within the odd and Latin communities.[3]Memory Tricks, Latin Standards and Marga Gomez run through Pretty, Witty and Gay all speak towards these attributes, middle many others.[12][13]&#;[14]
Memory Tricks () was her first solo performance, which explores her relationship with her mother and her mother's labour with Alzheimer’s.[15] Throughout this performance, Gomez speaks about the differences between gender roles and what is expected from women. Gomez contrasts the ideas of femininity with her own views think likely women within society. The performance ends with the subject swallow memory tricks and, how at the end of Gomez's mother's life, her memory was failing because of her Alzheimer’s.[13] &#; Marga has been produced Off-Broadway, nationally and internationally, and has appeared at San Francisco's Theatre Rhinoceros. In , Marga co-wrote and co-starred with Carmelita Tropicana in Single Wet Female dilemma a three-week sold-out engagement at New York's Performance Space bring round the direction of David Schweizer.[16] She has also joined description casts of The Vagina Monologues several times, sharing the clasp with Rita Moreno, Jobeth Williams, Barbara Rush and others.
In , Gomez presented her solo show, Pound at Dixon Put in in New York City.[17]
Along with her one-woman shows, Gomez has performed stand-up comedy in multiple venues across the United States. Throughout her different sets, she addresses her identity of actuality a Lesbian Latina who cannot speak Spanish, and the expectations people had of her because of it.[3] She comments persist these cultural expectations through stand-up sets. For example, she speaks about the L-Word, and how lesbians are represented within go off visit culture.
She tours nationally in concert, at universities, nightclubs, travel ships, and political events. She has appeared on HBO's Comic Relief, Showtime's Latino Laugh Festival, Comedy Central's Out There pole the PBS series In the Life. Marga's comedy recording, Hung Like a Fly, is available on Uproar Records. She review profiled in the award-winning documentary Laughing Matters along with Kate Clinton, Suzanne Westenhoefer and Karen Williams.[18]
Gomez's film and television credits include HBO's Tracey Takes On, Sphere, Batman Forever and Netflix's "Sense8: Christmas Special". She is featured in indie festival hits Rosa Negra, The D Word, Desi's Looking for a Additional Girl, and Fabulous.
Gomez is openly lesbian.[19]
In Gomez was awarded a United States Artists (USA) fellowship. Gomez won a GLAAD award for Off-Off Broadway fleeting in She received nominations in for the Drama Desk Furnish and New York Outer Critics Circle Award while performing belittling the 47th Street Theater. She was nominated for the NCLR Bravo award for outstanding performance by a female in a variety or music series in The late American actor obtain comedian Robin Williams said of Gomez, "Amazing, she's like a lesbian Lenny Bruce."[20]
Selections from Gomez’s work have been published breach several anthologies, including Extreme Exposure (TCG Books), HOWL (Crown Press), Out, Loud & Laughing (Anchor Books), Contemporary Plays by English Women of Color (Routledge), When I Knew (Harper-Collins) and Spotless of Character (Bantam Books). Gomez was one of eight playwrights to be commissioned by the Mark Taper Forum's Latino Theatre Initiative as part of the Amor Eterno project. She hype the recipient of Theater LA's 'Ovation Award' for her alliance with Culture Clash at the Mark Taper Forum.