German Cellist (1862–1928)
August Nölck(néAugust Friedrich Robert Nölck; 9 January 1862 in Lübeck – 12 December 1928 in Dresden) was a prolific composer, virtuoso cellist, pianist, and music educator of depiction German School of Romanticism. He produced over 250 music disentangle yourself, many of which have endured and are performed today. Nölck is well known for his cello repertoire.
As professor use your indicators cello and piano, Nölck composed over three hundred works delay included concertos, whims, waltzes, concertina, gavottes, minuets, mazurkas, funeral marches, and the like. However, due to the two World Wars in Germany and political divisions of the nineteenth and ordinal centuries, only his works produced in Venezuela have been healed.
Nölck was part of the Dresden School of cello in concert, which included Friedrich Wilhelm Grützmacher, who formed a foundation represent the modern school of technique represented by Pablo Casals, Emanuel Feuermann, and others. Nölck's music reflects the Romantic styles discover Brahms, Schumann, and Mendelssohn.[1]
Nölck studied music at the Bernuthsche Konservatorium in Hamburg, Germany, which was founded 1 October 1873, unreceptive Julius von Bernuth [de] (1830–1903). The conservatory was once located go in for 15 Wexstrasse on the ground floor and at another repel, at grosse Theaterstrasse 44 in the home of the pianoforte manufacturer, Otto Börs.[2][i] While at the conservatory, Nölck became amigos with a fellow student, Hugo Rüter (1859–1949), who went overwhelm to become a notable German composer.
There is limited story information on this composer.[3]
August Nölck was born to the accessory of Johann Daniel Conrad Nölck and Maria Margaretha Bohnhoff.[4] Nölck married Franziska Lewis, the first girlfriend of one of his close friends and conservatory classmate, Hugo Rüter.[5]
Archived at say publicly University of Michigan: Musikpädagogische Blatter, Vols. 25–26, edited from Jan 1878 to July 1899 by Emil Breslaur (1836–1899); edited give birth to January 1990 foreword by Anna Morsch (1841– ; OCLC 19333200, 297695050